Sunday, October 30, 2011

Zombie Apocalypse (2011)

Zombie Apocalyspe is a stupid mess.  It's clear that there was virtually no budget to speak of, the director and cinematographer had no camera shots available at any time aside from "mid range of fronts" or "mid range of backs," the actors were literally one step above community actors, and the plot just sort of wanders around a map before arriving at the payoff scene that is like spending your life savings at a slot machine only to realize it only dispenses those gross little chocolate coins Jewish people have during holidays.

Despite all that, I'd put it in the upper 50th percentile of trashy zombie films and/or Syfy originals.  Hell, let's say upper 75th percentile.  What gives?

The biggest reason is sort of a damning with faint praise, but have you have seen budget zombie horror?  Zombie Apocalypse is bad, every element of it barely working, but goddamn at least it could be called a horror movie with trashy action that barely works.  Compare this to something like Monster Ark, where you spend a good half of the movie of people talking about the Bible like it is a mysterious artifact only read by madmen and gods, and then segue to people waving their airsoft M-16s at a greenscreen for the other half.  Zombie Apocalypse had the good graces to interrupt scenes of people walking empty streets and CGI explosions to include zombie battles, and while those battles are entirely shoddy CGI (PHOTOSHOP THAT BLOOD SPURT HARDER), they're at least entertaining enough for me to have finished the movie stone sober.  The plot is followable and does have a destination and doesn't try to overextend ambition beyond what it can barely accomplish.

The acting is bad, but at least when they're not being forced to speak utterly awful lines (ARE THERE ANY HUMANS IN THERE), there's sort of a fun awkwardness to their acting, being fully comfortable (Ving Rhames and that chick from Spartacus: Blood and Sand that wanted to ride Crixus's bone included) in being in a terribad zombie film, as opposed to, say, the Day of the Dead where it appeared Nick Cannon and everyone else was being filmed at gunpoint.  The only exception to this is Taryn Manning, whose sullenness in the film is pretty clearly not just acting, but she's virtually a non-entity in the second half of the movie so who really cares.

Indeed, especially for an Asylum film, there's a fairly intelligent apportioning of focusing on characters that you can almost care about, as opposed to the usual Asylum practices of giving the meatiest roles to people who don't know how not to glance nervously at the camera every five seconds.  Maybe they hired an editor with a soul, who knows?  Perhaps the best part (spoiler but again who fucking cares) concerns the role of "token educated dude who in zombie film parlance means he is a flowery dipshit who quotes a line from Wordsworth and acts like he's hot shit.  Of course, he's easily the worst character in the film and one prays for his death, but as the halfway mark, you feel like he's somehow going to make it to the film.  Even worse, he has an awful romance scene with another survivor and now you're virtually sure he's going to survive SO MAD.  But then he gets bitten (due to his own dumbassery), and turns even before he can do anything heroic!  It's a really rare moment of schadenfreude fanservice coming out of nowhere, and while it was probably unintentional considering the rest of the script, one must take what they can get.

So is it worth watching?  There's certainly better zombie films out there, but there's far, far, worse.  If anything, this is a positive step for Syfy and Asylum, so we may as well be nice enough about it as possible.

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